What About Bob?

1991

Comedy

10
Rotten Tomatoes Critics - Certified Fresh 83%
Rotten Tomatoes Audience - Upright 79%
IMDb Rating 7 10 56246

Synopsis


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836.41 MB
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English
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23.976 fps
1hr 39 min
P/S 8 / 67
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English
NR
23.976 fps
1hr 39 min
P/S 12 / 56

Movie Reviews

Reviewed by kneiss1 8 / 10

Great comedy

l wasn't sure if I wanted to give this movie 7 or 8 points till seeing the last 20 minutes. There Richard Dreyfuss has been in full cry. I needed to laugh so hard, that I am forced to give this movie 8 points. As a movie itself, if I use all criteria I use on other films, this movie would not deserve 8 points. The story is predictable (I knew exactly how it was going to end from the very beginning), camera work, music and characters are not actually special. All has been there before, and was copied again and again afterward. But as a comedy, this movie totally did what it was supposed to do. It was absolutely hilarious!

Sometimes the humor was a bit too silly, and Bill Murray has been overdoing it from time to time - and I still needed to laugh my butt off. Watching the way smaller Dreyfuss beside the tall, dumb looking Bill, screaming and shouting like an angry dwarf, was a way too funny image.

Reviewed by jaysilentbob37 10 / 10

Hysterical! A film that can be watched over and over.

I personally think that this irresistible film is one of the best comedies of the 90's, though with this one, I can safely say that that's just my opinion. This is a movie that is so funny, that it never loses it's ability to make you lose control of your motor functions, even after the 15th viewing.

Bob Wiley (Bill Murray) is a lovable, but deeply troubled man who has probably the biggest multi-phobic personality you could imagine. He also has a habit of getting really attached to people within the first few minutes of meeting them, and it's heavily implied that he's driven multiple therapists out of business due to his annoying dependency. And the successful therapist/best-selling author Dr. Leo Marvin (Richard Dreyfuss) is about to be the next victim. After his first interview with Dr. Marvin, Bob is immediately attached, and is worried when the doctor leaves for a month long family vacation, preparing for a promotional interview on Good Morning America. Bob cleverly tracks down Dr. Marvin at his lake house, and instantly becomes good friends with the rest of the family, while the doctor doesn't approve. Bob soon becomes a house guest who acts like a part of the family, and is 100% oblivious to Dr. Marvin's sinister hatred of him...

Totally brilliant premise, that is very well executed. I still do think the ending, while still funny, could have used some work. Bill Murray is at his absolute best here. He's such an over-the-top, yet believable character, who you just wouldn't be able to resist how friendly he is. Richard Dreyfuss is in my opinion the funnier of the two. His facial expressions just scream "repressed rage," and his loss of sanity, slowly occurring throughout the movie, is perfectly timed. You barely notice his personality change. It just happens. One minute, he seems like the ideal therapist, but before you even realize it, he's a sinister maniac, who now requires more therapy than Bob. Bob on the other hand, goes the opposite way. By driving him crazy, he unwittingly manages to become saner, and conquer many of his fears. And has absolutely no clue how much Dr. Marvin hates him, even when Dr. Marvin has extreme outbursts at him right. Dr. Marvin couldn't possibly express his annoyance more clearly, and the idea of his rage never crosses Bob's mind once.

That is where the movie gets it's humor. Even as he unwittingly humiliates someone on national TV, Bob never loses his charm. The interview scene is in my opinion, one of the all time classic comedy moments, and director Frank Oz just nails it. In the hands of any other filmmaker, the scene could have deteriorated into mindless slapstick. Bob humiliates the subject of the interview just by being Bob. And believe me, he is not someone you would want to be guest interviewing with. It's amazing how funny it can be just by watching a family grow to love someone who the man of the house hates with a passion, and getting mad when the dad acknowledges his annoyance. I highly recommend this laugh-a-minute comedy, and give it 8/10.

It is rated PG for Language, and Thematic Elements. It would easily be rated PG-13 today, even without the language.

Reviewed by S.R. Dipaling 9 / 10

What about Bill!

It might be a little simplistic to call this "Bill Murray's Movie",because in truth,this film works just as well because it has a fantastic support from Richard Dreyfuss,Julie Haggerty,Charlie Korsmo,KAthryn Erbe and director Frank Oz. Still,you cannot watch this film without feeling like Murray's complete abandon in this film is what gives this film its pep,spark and life. This might be one of the more energized performances of his long and well-padded career.

Dr.Leo Marvin(Dreyfuss,who has settled into being the 'Uptight fuddy-dudd' roles from here,as opposed to the more restive,youthful roles of past movies like "Jaws" and "Goodbye Girl")seems to have it all. Loving wife,healthy,normal kids and a career that is on the verge of taking off:a comfortable private practice in New York and a self-help book about to be published nationwide. At the last minute,he accepts another colleague's patient(for whom he does not wonder as to why his peer is so breathlessly trying to pass this patient off to him):one Bob Wiley(Murray). Bob doesn't have anything wrong with him;he has MANY things wrong with him. Multiphobic,clingy and more than a little under-developed in his sense of emotional attachment,Bob misreads the good doctor's brush off(As the doctor gets ready for a Labor Day getaway with his famille)as being a cure-all,and is immediately smitten with the doctor's methods,approach,diagnosis and treatment. He decides he's going to insinuate himself into Dr.Marvin's life(in somewhat of a mixture of gratitude and need),and follows him to the rural,New England lakeside vacation where the Marvins are staying.

Alvin Sargent and Laura Ziskin's story and script make the actors' moves and lines so easy you'd almost think there were elements of improvisation. But Murray and Dreyfuss are(and not to belabor a point here but...)the key here. Murray's socially oblivious and free sense of bonding clashes DRAMATICALLY with the button-down professionalism of Dreyfuss' doctor,and as Muray thinks himself "Better",Dreyfuss' shrink seems to be getting worse,confounded by his unwanted patient's persistence and loyalty. While the unabashed enthusiasm of Murray's character might drive away some viewers who might see this as "annoying" or "too much", Murray fans and,I think,fans of sort of odd,non-formula comedies will DEFINITELY appreciate the whole story and rhythm of this film. Perhaps it's a bit too early to state this(though this film,which I first caught in the theaters in first release sixteen years ago,has had more than a decade to simmer in the memories of moviegoers),I feel this is something of a modern comedy classic. I've seen this film no less than three times and,to chime in with an IMDb message board poster,this IS a truly re-watchable movie.

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