The Alamo


Adventure / Drama / History / War / Western

Rotten Tomatoes Critics - Rotten 50%
Rotten Tomatoes Audience - Upright 64%
IMDb Rating 6.9 10 12328


Uploaded By: FREEMAN
Downloaded 27,371 times
May 25, 2018 at 06:08 PM



Patrick Wayne as Capt. James Butler Bonham
Laurence Harvey as Col. William Travis
Ken Curtis as Capt. Almeron Dickinson
720p.WEB 1080p.WEB
1.33 GB
23.976 fps
2hr 42 min
P/S 4 / 28
2.58 GB
23.976 fps
2hr 42 min
P/S 8 / 27

Movie Reviews

Reviewed by Spikeopath 5 / 10

For what seems like 13 hours the film misses classic genre status.

For 13 days these brave men hold the fort...

The Alamo is not the film it should be, even after the 2004 remake (a great film that takes a reflective and thoughtful stance) we find ourselves still waiting for a blood pumping and stirring take on the folklore tale of what happened at the small missionary known as The Alamo. It's San Antonio, 1836 and General Santa Anna is marching his mighty armies into the contested territory of Texas, all that stands in his way is a small band of heroes, Jim Bowie, Davy Crockett and their trusty men who are led by the inexperienced William Travis. They must buy time in order for General Sam Houston to get an army together in which to crush Santa Anna's imposing forces.

There really is no simpler way of putting it other than to say that The Alamo is an overlong misfire. Various cuts have been made to try and create an epic classic out of what was actually filmed, but neither of the cuts can succeed in making it the flowing genre piece it could have been. John Wayne directs and clearly cared about the project {with his own cash invested that was to be expected}, but rumours have persisted that Cliff Lyons had to take up directing duties later in the picture, it's not hard to see why if that was the case, but various sources do poo poo this rumour, and is mostly believed to be Wayne's own work throughout the film. Wayne {having learnt from his mentor John Ford} had a great vision for the picture, and the scope is rather impressive, the recreation of The Alamo building in particular is first rate, whilst the formations of Santa Anna's armies finally rouse the picture out of its slumber.

However the high points in the picture are few and far between, the acting leaves a lot to be desired, with Wayne himself unable to let the Crockett character be anything other than the John Wayne show. Richard Widmark as Jim Bowie steadily holds his own and manages to eek out a bit of bravado interplay with Wayne and Laurence Harvey {William Travers}, but outside of that there is not much to write home about. The final third just about saves the film from being a stinker, with the academy award for best sound richly deserved, but sadly The Alamo remains to this day a plodding dinosaur that bores when it should be igniting the spirit. 5/10

Reviewed by Ben Burgraff (cariart) 8 / 10

John Wayne's Massive Tribute to Texas Terrific!

Viewed as history, John Wayne's epic production of 'The Alamo' is as full of holes as Swiss Cheese (the final battle actually lasted less than an hour, in the pre-dawn darkness of March 6, 1836; current scholarly consensus is that the historical Crockett attempted to surrender, at the end of the furious onslaught, but was executed), but just as Wayne mentor John Ford never let 'the facts' interfere with a good story, first-time director Wayne wanted to tell a tale of larger-than-life heroes, taking a stand for what was right, and being willing to die for that cause. It was a firm belief in these truths that pushed Wayne into investing over ten years of his life, and much of his personal fortune, in telling this story, and 'The Alamo' was, and is, a triumph.

The film can really be broken into two distinct parts; the first part introduces the characters, providing insights into their personalities, and tells a melodramatic tale of a beautiful woman (the radiant Linda Cristal), being forced into an unwilling relationship with an evil, profiteering Texan, who is rescued by the plain-spoken and heroic Davy Crockett, as portrayed by Wayne. The story bears similarities to 'The Fighting Kentuckian', a Wayne vehicle of twelve years earlier. In this version, however, Wayne doesn't 'win' the girl, but gives her a rather preachy speech about patriotism, and doing what's right, and sends her on her way.

Despite a terrific fight scene between a bunch of the Texan's henchmen, and Crockett and Jim Bowie (portrayed with easy charm by Richard Widmark), this first part drags, a bit, and seems contrived to allow Wayne to air his political beliefs. Bear with it, though, because when the action moves to the mission/fortress of the Alamo, for the second half of the film, Wayne's talents as a director truly shine.

The story of the 13-day siege between the Alamo's 187 defenders, and General Santa Anna's 6,000-man army, has NEVER been told on a grander scale than in the John Wayne version, and the uncut edition of the film is presented in a wide-screen format, which allows the viewer to really share Wayne's vision. With a nod to the fact that the Mexico of today is a staunch ally (several characters make a point of saying how 'proud' they are of the Mexicans, even as the two forces are killing each other!), the story flows between exciting 'victories' (stealing the cattle, spiking the Mexican cannons), and an understanding of the inevitable conclusion (defined by Lawrence Harvey, as Travis, in the memorable 'sword in the sand' scene). Harvey's Travis is the best-realized of the film's many characters; he brings a humanity to the complex, driven commander, growing from someone insensitive to others, into a leader who earns everyone's respect.

Wayne used thousands of Mexicans as extras in the film, which gives the viewer a far greater sense of the magnitude of the siege than Republic's 'The Last Command' or Disney's 'Davy Crockett' ever could. The battles, particularly the final one, as row after row of Mexican foot-soldiers overrun the pockets of defenders, are unforgettable! Each character is allowed to die heroically, and is given a lingering moment to make a final gesture (Travis breaks his sword over his knee as Mexicans surge past, Bowie fires his unique gun, a brace of pistols, and swings his famous knife, Crockett, bayoneted to a door, still manages to pull free, and torch the magazine). The film's climax, alone, would make the film a 'must' for any action fan.

The cast includes many well-known character actors and long-time Wayne friends, including Ken Curtis as Lt. Dickinson, Travis's adjutant; Chill Wills as the most outspoken of Crockett's men; Guinn 'Big Boy' Williams, Denver Pyle, Chuck Roberson, and many others, as defenders. Wayne's son, Patrick, has a small but visible role as James Butler Bonham, the famous Alamo dispatch rider, and his daughter Aissa plays the Dickinson's child, Angelina.

'The Alamo', for all it's faults, is a magnificent spectacle, monumental in scope. It is a fitting tribute to it's star/director, and an ESSENTIAL part of any John Wayne collection!

Reviewed by Nazi_Fighter_David 8 / 10

The 'Battle Cry' that broke Santa Anna's back!

John Wayne's directorial tribute to the struggle for "The Alamo" symbolized the spirit of resistance of a small group of determined fighters for Texan independence from Mexico...

Texans established a provisional government in 1835 and appointed Sam Houston (Richard Boone) commander in chief of their army... There followed a seesaw battle for control of San Antonio, including the ill-advised defense of the Alamo by a force of fewer than 200 Texas volunteers... General Antonio Lopez De Santa Anna was determined to take this key location in order to impress upon the Texans the futility of further resistance to Mexican ruler...

After a 13-day siege, every fighting man perished under the onslaught of 7,000 Mexican troops... Among the fallen defenders were Cols. William B. Travis, James Bowie and the legendary Davy Crockett... Only Mrs. Dickinson (Joan O'Brien), her little daughter and a black boy survive to provide the eyewitness story of the Siege and the Battle of the Alamo...

John Wayne portrays Davy Crockett, a frontiersman and politician, who saw the future of an independent Texas as his future and he loved a good fight... Crockett and his brave combatants - the Tennesseans, expert marksmen, held their position until death...

Richard Widmark is cast as Colonel Jim Bowie, a reckless adventurer, known for his famous 'Bowie knife'. Bowie has come to fight for Texas independence with a small force of volunteers. He had strong personal friction with Travis which threatens to develop into a private war... The difference in their personalities resulted in the two men sharing a somewhat antagonistic competition for command of the entire garrison... On one point they did agree: "The Alamo" is the most important stronghold of Texas...

Laurence Harvey plays Colonel Travis, "the grand Canyon of Texas," who arrives with 25 men to establish the first line of defense against Santa Anna... Travis is a disciplinarian officer who commanded the Texas defenders during the siege and battle of the Alamo, a genuine hero who anticipated a battle to the death, a polite gentleman who gave the men an opportunity to retreat with honor the ill-fated garrison but explained how important their defense of the Alamo is... His appeal from the Alamo of reinforcements becomes an American symbol of unyielding courage, heroism and self-sacrifice... Travis high moment in the film was when he fired his answer to Santa Anna with a cannon blast: Victory or Death!

With its seven Oscar nominations, including the Oscar-nominated hit song "The Green Leaves of Summer" and a superb score written by Dmitri Tiomkin and song-writer Paul Webster, and featuring some of the most spectacular battle sequences ever seen, "The Alamo," - a sacrifice on the altar of liberty - becomes the 'Battle Cry' that broke Santa Anna's back...

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