Ex Drummer


Comedy / Crime / Drama / Music

Rotten Tomatoes Critics - Rotten 44%
Rotten Tomatoes Audience - Upright 70%
IMDb Rating 7 10 8856


Uploaded By: FREEMAN
Downloaded 19,998 times
September 02, 2018 at 03:03 AM



720p.BLU 1080p.BLU
858.37 MB
25 fps
1hr 44 min
P/S 12 / 40
1.61 GB
25 fps
1hr 44 min
P/S 4 / 29

Movie Reviews

Reviewed by Dries Vermeulen 8 / 10

A Shock to the System

It stands to reason that a film version of perhaps Belgium's most controversial author (the revered and despised Herman Brusselmans) would produce an experience every bit as extreme and sulfurous – with audience response to match – as his books. He regularly spits in the face of "political correctness" with outrageously misogynist or downright misanthropic remarks, sometimes about local celebrities, which has landed him in court on a few occasions. Graphic descriptions of sex and violence have become so prevalent in his work to the extent that they could serve as its very definition in the minds of many. First-time feature director Koen Mortier (responsible for a couple of well-received shorts, rarely seen outside the festival circuit though, and a really striking commercial starring Olympic swimmer Fred Deburghgraeve) had his work cut out for him then with this (first) adaptation of a Brusselmans novel, arguably his most popular literary effort to boot.

Transposing the action from Ghent to the coastal town of Ostend (a virtual stone's throw from where I live, in fact) – apparently because of the people ultimately cast came from around there and spoke the local dialect – the story is told from the point of view of the writer's alter ego, Dries (Vanhegen, who looks and sounds remarkably like a younger, sexier version of Ostend's most successful export, singer/songwriter Arno), who receives the unusual request from a trio of physically challenged musicians to join their band and take part in an upcoming rock rally. Intrigued, Dries accepts the offer, which prompts a series of events that will lead to death and/or dismemberment for most characters. Unlike most other writers, Brusselmans goes against the grain and makes his own character the undeniable villain. Intellectually superior to the other band members, and smugly aware of it (allowing him to assume the role of misplaced moral judge), Dries cruelly manipulates his newfound "friends" with all the dispassionate detachment a professor might display towards the lab rats in his experiments. This has the effect of some sort of shock therapy for the audience, opening their eyes to the plight of people they might otherwise all too casually dismiss, pointing out their similarities to our own superficially superior human condition rather than the glaring differences most other media (think tabloid newspapers and TV's despicable "reality" shows that are usually anything but) pounce upon.

Characters may appear grotesque, but the cast makes them human. Stand-up comedian Gunter Lamoot shines as gay farm boy Jan, living with his demented, strapped to the bed dad (the inimitable François Beukelaers, leading man of Marc Didden's despairingly downbeat BRUSSELS BY NIGHT) and bald as a billiard ball, wig-wearing mum (an absolutely unforgettable performance by Bernadette Damman). Dancer Sam Louwyck, a good friend of Deus front-man Tom Barman and star of his directorial debut ANY WAY THE WIND BLOWS, turns in a highly physical performance as ever, of course, only this time he also proves to possess sufficient dramatic clout to fulfill the part of the deaf guitarist Ivan, living the derelict life with his drugged-up wife and bawling baby girl. It is TV actor Norman Baert however who provides the movie's greatest revelation as the psychotic Koen, whose continuous ranting and raving against women makes for some of the funniest as well as most harrowing moments when words lead to violent actions.

With something to seemingly offend anyone whether you're female, homosexual, of a different race or religion, this inflammable material is approached with admirable restraint for most part by Mortier. Unlike the morally bankrupt Dries (hey, we only share a first name, right !), he doesn't judge but merely observes, to the point of scrutiny even. A few distancing effects (characters walking on ceilings or moving backwards) are thrown in for good measure but never to the extent that they detract from what's really important here. Rather, they create a false sense of security in the movie-savvy audience (allowing for a TRAINSPOTTING reference or two to placate the oh so knowledgeable), only to hit them hard when the narrative moves from humor to horror in one fell swoop. A further tribute to Mortier's prowess as a filmmaker comes from the local media's hysterical reactions to the movie, leading to a subsequent ban from cinema mogul Kinepolis (temporary, as they relented by the second week of release due to fairly impressive audience figures at rival theaters), screaming of extremes that are ultimately far more implied than actually shown. Proving that viewer imagination's a potent thing, this does in no way make EX-DRUMMER any less of a radical movie-going experience. The music (by the likes of Flip Kowlier, Millionaire and, yep, Arno) may shatter your ear-drums, but the story breaks your heart. None of these people are anywhere near monstrous or caricatures (even a character whose nickname translates as "Big Dick", played by the phenomenal Jan Hammenecker from Fred Fonteyne's MAX ET BOBO, is granted a surprising humanity) so that in the end they force every single one of us to take a long hard look at ourselves, our so-called "dark side", warts and all. Perhaps the movie's best joke, conspiratorially played on us by Brusselmans and Mortier, is that its nihilist surface covers an enriching – dare I say "life-enhancing" (or should I leave that to the Prozac-popping folks at Hallmark ? – experience. But don't take my word for it. Go check it out for yourself. Pronto !

Reviewed by ruud-35 9 / 10

fantastic trip

The discussion about this movie is wide. Some people hate the movie, some people adore it. Probably it will be a movie which will be much more popular in time. For me it was one roller-coaster of laughing and an experience i wont forget for a long time. At the same time i saw people leaving the cinema because of the rough, unpolished use of language. I have been living in Belgium for a few years, which is an advantage to understand the humor of the used dialect. The brilliant thing about the movie is that it is a one on one translation of the writer Herman Brusselmans. I saw the movie and asked myself the question, how would i have directed this book differently. I couldn't find an answer. This is Belgina cinema on his best. A fabulous devastating trip.

Reviewed by Dr-Keenk 10 / 10

Another thing we should leave to Belgium (besides music)

While this may be uncomforting for some, this is something which draws you to a cinema (or not, for some) It might be offensive, it might be raw, but the plain stupidity depicted in this movie is not far from reality, and that is what make this movie so haunting in the first place. If you like a story about little people not making it in the big world, this movie is for you. If you like movies where things all work out in the end, stay away, not for you.

Although I must admit I like the author from the novel on which this film is based upon, I was quite shocked to see a film like this, it's quite serious in some parts, quite ridiculous in others, but never falls apart, and that is very, very smart. Thank you Belgium for giving us a decent movie from Europe this year.

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