Cape Fear


Drama / Thriller

Rotten Tomatoes Critics - Certified Fresh 100%
Rotten Tomatoes Audience - Upright 86%
IMDb Rating 7.8 10 23040


Uploaded By: FREEMAN
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September 02, 2018 at 04:33 PM


Gregory Peck as Sam Bowden
Robert Mitchum as Max Cady
Telly Savalas as Private Detective Charles Sievers
Martin Balsam as Police Chief Mark Dutton
720p.BLU 1080p.BLU
860.87 MB
23.976 fps
1hr 46 min
P/S 5 / 13
1.65 GB
23.976 fps
1hr 46 min
P/S 9 / 29

Movie Reviews

Reviewed by ragosaal 8 / 10

A Real good one for Thrillers

Sam Bowden (Gregory Peck) is a happily married lawyer with a teenage daughter, a quiet life and little worries to care for until released convict Max Cady (Robert Mitchum) moves near by seeking for revenge against him. Cady blames Bowden for his 8 years imprisonment because the lawyer failed to get him an innocent verdict in Court for a serious crime he was accused of (and he had committed). The man starts by stalking Bowden and his family while he waits for the appropriate moment to make his move. In the meantime, Cady does not hide his intentions and Bowden knows perfectly well they are in big trouble.

The film is tense all along and interest doesn't fall at any moment. There is a correct direction by J. Lee Thompson, a slightly more than average director who probably did here one of his best jobs (the other one "The Guns of Navarone" (1962) a very entertaining World War II adventure). Black and white shooting was a good idea and helps to create some sort of sordid and dark atmosphere when required as well as the musical score.

Casting is very good too. Gregory Peck is correct in one of his many common good guy roles. Polly Bergen is believable as the frightened wife and there is also good acting by Martin Balsam (as Bowden's chief of police friend) and Telly Savalas (as a private detective hired to help the family). But the major credit in this issue goes without doubt to Robert Michum's performance as the dangerous avenger. He looks calm and quiet -with few exceptions- all the way to the final climax sequences but you know perfectly the man is real mean and deadly. This surely was one of Mitchum's best appearances in his long film carrier.

The 1991 Cape Fear version with Robert de Niro -although a watchable movie- is not as good and thrilling as this one where evil doesn't appear clearly till the end but menace is always there.

A very good thriller indeed!

Reviewed by Spleen 10 / 10

More than just creepy

For the first time Hitchcock was decisively beaten at his own game. This is one of the tensest films ever made, and also one of the most perfectly crafted. There are so many things right about it I can afford to concentrate on just two:

(1) Sam Bowden is a firm believer in the sanctity of civil liberties until Cady starts to stalk his family - and he remains a believer even then. He is asked if he really wants the police to have the power to arrest citizens on suspicion alone; and, although his family is in danger, he cannot honestly answer yes. `Cape Fear' is clearly the product of a less bloodthirsty age. But it is the better for it: a clash between deeply held principles and deeply held desires isn't at all interesting unless it really IS a clash - unless the principles are strong enough not to give way at the first breath of wind. And damn it, Bowden is right. The police do NOT have the right to arrest Cady. The potential tragedy is genuine: not something that could be cleaned up if only so-and-so would drop a few pointless scruples.

(2) Robert Mitchum really alarms us. I think it's because his motivations are a little, but not entirely, opaque. When we first see him eyeing Bowden's teen-aged daughter, we don't know exactly what he's thinking any more than Sam does. Is he sexually attracted to her? Does he want to kill her? Rape her? Is he indifferent but just trying to get a rise out of Sam? Indeed: what, exactly, does he want to do to Sam himself? We don't know: and this uncertainty is worse than any precise knowledge.

I doubt I've said enough. `Cape Fear' is riveting from first frame to last. It's well shot, the acting is excellent, and Bernard Herrmann gives us his usual fitting score. It appeals to the intellect as much as to the pit of the stomach. Great stuff.

Reviewed by Noirdame79 9 / 10

An Original - If It Ain't Broken, Don't Fix It

When I first saw J. Lee Thompson's film I was on the edge of my seat. It is a scary thriller without showing buckets of blood, graphic violence, monster make-up, or even using the word "rape".

A bitter, amoral, psychopathic ex-con, Max Cady (the incomparable Robert Mitchum), recently released from an eight-year prison term, is out for revenge against the man who testified against him at his trial, lawyer Sam Bowden (the late, great, Gregory Peck). He infiltrates into Sam's life, stalking his lovely wife, Peggy (Polly Bergen, no shrinking violet), and his pretty, innocent teenage daughter, Nancy (the appropriately sweet Lori Martin). Sam does everything legally possible (for the time, before anti-stalking laws came into place) to protect his family, but he finds he is powerless under the law, and Cady is very intelligent in his planning. It all ends in a showdown on the river Cape Fear.

Let me just say that this movie has an advantage over the 1991 remake. Cady doesn't have to be covered in tattoos or act like Freddy Krueger to be terrifying. The word "rape" doesn't have to be mentioned nor does the offense have to be shown to us graphically (since the censors of the time forbade it) for the viewer to understand and comprehend what is going on. The performances are all right on, and even when Barrie Chase's Diane Taylor is assaulted, we don't have to be told that she was raped, because it's implied and it's written all over her bruised, traumatized face. Her portrayal of this victimized and frightened young woman is impeccable - why didn't she have a longer career?

Gregory Peck is compelling, and the scenes where Nancy is pursued by Cady outside her school and she escapes inside, only to fear that he has also followed her in (and she is mistaken) is absolutely nail-biting, as is the final showdown. Cady's devious plan to accost Peggy on the boat in order to "trade" her for Nancy is gut-wrenching and extremely watchable. We now have a names for guys like that - rapist, stalker, pedophile, murderer - but the first three were either not used or hadn't been made a term yet. A classic, don't accept any substitutions. As I usually give so much away in my comments, I'll leave the plot details at that. Bernard Hermann's score for the film is perfect, and ranks right along with his score for Alfred Hitchcock's "PSYCHO" - a masterpiece. And so is the movie. Don't watch it alone or in a dark room! 10/10.

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